After analyzing Langes work, I decided to do the reverse of what she did to capture the final photograph, The Migrant Mother. I choose an object, a sculpture, and took some photos up close (the three are some of the up close ones) then gradually stepped back to get the whole picture of the sculpture. I love trying different angles in all of my photographs, so like my other shots, that was a major component in the photograph. As I stepped further back the background in the shot became more and more important because I wanted the sculpture in the foreground with a strong background as well. In these three the background does not stand out like the final one but the eye focuses on the texture of the metal sculpture.
After analyzing Langes work, I decided to do the reverse of what she did to capture the final photograph, The Migrant Mother. I choose an object, a sculpture, and took some photos up close (the three are some of the up close ones) then gradually stepped back to get the whole picture of the sculpture. I love trying different angles in all of my photographs, so like my other shots, that was a major component in the photograph. As I stepped further back the background in the shot became more and more important because I wanted the sculpture in the foreground with a strong background as well. In these three the background does not stand out like the final one but the eye focuses on the texture of the metal sculpture.
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